Leaving the modern glass front on Evans Way, Boston, behind, a dimly lit tunnel transports its visitors deep into an inner-city oasis. An opulent garden blooms under a glass roof far above. Walls rise on every side with windows and archways beckoning to the inside beyond. Everything is lavish, palatial, and foreign to Massachusetts. This… Read More Deliriously Glorious: The Isabella Stewart Gardner Museum
The story begins “250 years ago, on an abandoned patch of land near London’s Waterloo, [when] showman, entrepreneur and equestrian rider Philip Astley drew out a circle in the ground and filled it with astounding physical acts. This spectacle was the world’s very first circus. […] Every circus, anywhere, began at this moment in 1768.”… Read More ‘Sawdust & Sequins: The Art of the Circus’
Let’s Talk about Death Last month, a shocking pink banner circulated Bristol. Adorned with a colourful moth and an unthreatening green skull, ‘Death: The Human Experience’, it read. Advertising Bristol Museum and Art Gallery’s most recent exhibition, the colourful design attempted to rebrand the morose subject of death. Outside, as tulips began to emerge in… Read More ‘Death: The Human Experience’ Exhibition
Neither Porridge nor Clog-Dancing: The Virago World of Angela Carter [Castle Sarah Woodfine, 2005. Photo credit: Hannah, Generally Gothic, 2017] The white walls of Bristol’s Royal West of England Academy art gallery are lined with mystical, dark, dream-like artwork. A giant snow-globe, twin baby heads in a gravy dish, and a sculpture of a girl sleeping… Read More ‘Strange Worlds: The Vision of Angela Carter’ Exhibition
Generally Gothic 